2014-2016
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An
incomplete performance history in reverse chronological order | |||
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31 OCT 2016 Composer & Director: Patrick Grant TILTED AXES' appearance at The 2016 NYC Village Halloween is made possible through the support of The NYC Village Halloween Parade, Peppergreen Media, Korg USA & VOX Amps, the ASCAP Plus Awards, and Alchemical Studios. TILTED AXES: Music for Mobile Electric Guitars is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of Tilted Axes: Music for Mobile Electric Guitars are tax-deductible to the extent permitted by law. |
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1-3 SEP 2016 Seattle, WA Recording Project at Legendary London Bridge Studio in Seattle This will become the office this coming Labor Day weekend, Seattle's London Bridge Studio, birthplace of recordings by Soundgarden, Alice in Chains, Pearl Jam, et al. Patrick Grant will be a guest producer and a performer on a number of tracks during a 3-day lockout with GREAT players and good friends. Project TBA ================================================= |
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AUGUST 2016 01. Shapes 1 Chapman Stick: Electric Bass: Drums & Percussion: Produced by Patrick Grant Recorded at John Kilgore Sound NYC, Peppergreen Media NYC, and the Ferrari Factory NJ Recording engineer for Kilgore sessions: Garry Rindfuss Mixed at Mercy Sound Studios NYC Mastered by Sheldon Steiger Tilted Axes logo revamp by Eric Iverson All titles by Patrick Grant except for Track 8 & Track 13 which include variations on material by Robert Fripp and used by permission of Discipline Global Mobile (DGM) All titles published by Peppergreen Media (ASCAP) Thanks & Acknowledgements: Aaron Friedman (Make Music New York), D'Addario Strings & Planet Waves, Danelectro, David Singleton (DGM), Electro-Harmonix NYC, Frank Sheldon, Korg USA/Vox Amps, James Gill (Mercy Sound), Jocelyn Gonzales (audio consultation), Michael Spudic & Cia Toscanini (ASCAP), Rivington Guitars NYC, Robert Fripp, Tony Geballe, Vasko Dukovski, and not to forget: Max & Melody © Peppergreen Media, 2016. All Rights Reserved. TILTED AXES: Music for Mobile Electric Guitars www.tiltedaxes.net |
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JULY 10, 2016 STREAMING II (for Nikola Tesla) Presented by STREAMING II (for Nikola Tesla) is a video work by Daniel Rothbart and Milica Lapcevic with music by Patrick Grant. Blending archival footage of Tesla’s hydro-electric power plant at Niagara with new winter imagery of the Niagara River Whirlpool and Falls, STREAMING II celebrates the 160th anniversary of Nikola Tesla's birth. Protean forms of water, from mist to torrent, intermingle with imagery of turbines and power lines, evoking themes of science, art, nature, and spirituality. USA and Serbia, 2016, 11:54. Simultaneous screenings will take place at the Tesla Science Center at Wardenclyffe, New York (USA), Belgrade Nikola Tesla Airport (SERBIA), the Musée national de Kragujevac (SERBIA), Ozalj Hydroelectric Power Plant (CROATIA), Jaruga Hydroelectric Power Plant (CROATIA), and the Univerza v Mariboru Library (SLOVENIA). Thanks to Manuela Graf of Cluster of Cultural Routes. https://www.facebook.com/events/219931011733770/ |
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10 JUNE 16 Detroit, MI Robert Fripp & The Orchestra of Crafty Guitarists XIII June 10, 2016 Friday 7:00 PM - 10:00 PM Sainte Anne de Detroit Catholic Church 1000 Ste. Anne St., Detroit, Michigan http://bit.ly/1RRIrgj Tickets on sale now! http://www.brownpapertickets.com/event/2524561 ALSO - related performances in St. Louis Park, MN - June 02 Madison, WI - June 03 Chicago, IL - June 04 ================================================= |
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MAY 21, 2016 New York City "New" Work for Chamber Orchestra fl-ob-cl-bssn-tpt-hn-perc-strings Composers Concordance World Premiere It has been a 30 year journey to get a "world premiere" by an actual chamber orchestra (only non-MIDI electronic demos have existed up until this point), so, the news is, my Baroque Variations (1986) gets its debut next month on May 21st courtesy of Composers Concordance and their annual Generations Concert. Pictured here is the original sketchbook (upper right), the first printing I made of it when I worked at Edition Peters Group (C.F. Peters) 1987-1989 (upper left), and the current Sibelius drafts in short score for the upcoming performance in the lower half. In the original sketchbook, you can make out address 1520 York (Ave.). This is because most of this piece was written when I was driving a car service by night while being a student by day. I often jotted down my pick-up addresses into the score as they came to me over the car radio. Though it could be thought of as a "student work," it's more like my purging and parody of all things polyphonically imparted up until that point. I still hold the Fugue and Finale to be solid stand-alones and serve well to indicate where I'd be and what I'd be working on three decades later. It is fitting that it appears on CompCord's annual "Generations" Concert where awards are given to the youngest and the oldest composers involved. Thankfully, I remain in neither of these two categories though the work presented does indeed cover the span of at least a single generation. A full circle experience. Lincoln Square Neighborhood Center 250 West 65th St., New York City More iNFO TBA http://www.composersconcordance.com/ ================================================= |
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FEB-JUN, 2016 New York City Studio Work Tracking, Mixing, Mastering For the next 12 weeks: studio work and project completions of all sorts, long time coming. ================================================= |
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25-29 NOVEMBER São Paulo, Brazil TILTED AXES: SÃO PAULO The 3rd Música Estranha International Exploratory Music Festival TILTED AXES: SÃO PAULO & RIO DE JANEIRO - Now it's official and can be announced: The 3rd Música Estranha – International Exploratory Music Festival has invited Tilted Axes to create a series of events for these cities. It's very exciting to think of how things will sound with Brazilian musicians added into the post-progressive mix. Very. Você toca guitarra e se vê em uma apresentação diferente e única, pelas ruas de São Paulo? Então acesse agora mesmo o link abaixo e veja como participar da oficina 'Tilted Axes: Música para Guitarras Ambulantes', proposta pelo compositor e músico americano Patrick Grant. Uma combinação inusitada de música contemporânea, música para teatro e performance de rua. Inicia-se em formato de workshop, culminando em apresentações. Oficina nas manhãs de 24 até 27 de novembro, em São Paulo. Performances dias 28 e 29 de novembro, também em SP. São somente 12 vagas. Inscrições gratuitas até 14 de novembro. É bom correr! www.tiltedaxes.net ================================================= |
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31 OCTOBER New York City, NY TILTED AXES THE VILLAGE HALLOWEEN PARADE "Monster Riffs & Creepy Chords" "The children of the night! What music they make!" - Dracula (1931) Tilted Axes: Music for Mobile Electric Guitars (http://peppergreenmedia.com/tiltedaxes.html) has been invited to be a part of NYC's world famous Village Halloween Parade (http://halloween-nyc.com/) and for 2015 is bringing back the classic no-holds-barred big-time Tilt. For more iNFO, send an email to: tiltedaxes@peppergreenmedia.com Performers COMPOSER & DIRECTOR: Patrick Grant GUITAR: Gene Ardor, Angela Babin, Aileen Bunch (Philadelphia), Matt Grossman, John Halo, Michael Joseph (Philadelphia), Rob Knevels (Detroit), Daniel Reyes Llinas, John Lovaas (Chicago), Chad Ossman, Reinaldo Perez, Kevin Pfeiffer CHAPMAN STICK: Jeremy Nesse BASS: Dan Cooper, Sarah Metevier Schadt (Chicago) PERCUSSION: Cesare Papetti (groove leader), Marlon Cherry, Gael Grant (Detroit) TILT MANAGER & FRAMING DEVICES: Steve Carter STANDARD BEARERS: Jocelyn Gonzales, Harry Scott SATELLITES: Natalia de Campos, Leslie Stevens Whether you've Tilted with us before or are interested in being a first time participant, send an email to tiltedaxes@peppergreenmedia.com to receive more information about the event and on how you can apply. New York's Village Halloween Parade is an annual holiday parade and street pageant presented on the night of every Halloween in New York City's Greenwich Village. Stretching more than a mile, this cultural event draws two million in-person spectators, more than sixty thousand costumed participants, dancers, artists and circus performers, dozens of floats bearing live bands and other musical and performing acts, and a world-wide television audience of one hundred million. The Village Halloween Parade, initiated in 1974 by Greenwich Village puppeteer and mask maker Ralph Lee, is the world's largest Halloween parade and the only major nighttime parade in the United States. The parade has been featured in many national magazines and travel guides, and has been a subject of study by leading cultural anthropologists. According to The New York Times, "the Halloween Parade is the best entertainment the people of this City ever give the people of this City." ================================================= |
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JULY 12, 2015
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JULY 11-12, 2015 On July 11, Tilted Axes: Music for Mobile Electric Guitars will be performing and processing in the vicinity of the Wolverine Outdoor Stage from 5:00 pm to 8:00 pm. At approximately 6:45 pm, Tilted Axes will take the stage to officially premiere one of the new pieces commissioned by the Concert of Colors 2015. On July 12, Tilted Axes: Music for Mobile Electric Guitars will be performing and processing in the vicinity of the Wolverine Stage from 3:00 pm to 5:00 pm. A special finale is being planned for somewhere in the neighborhood. Performers: The Concert of Colors is metro Detroit’s free annual diversity music festival. It is produced by the Arab American National Museum with partners Detroit Symphony Orchestra, Detroit Institute of Arts, Charles H. Wright Museum of African American History, ACCESS, Midtown Detroit Inc. and University of Michigan – Detroit Center. The goal of this five-day festival is uniting metro Detroit’s diverse communities and ethnic groups by presenting musical acts from around the world. Over its 23-year history, the festival has become a artistic highlight of metro Detroit’s summer festival season, and one of the few free-admission music festivals remaining locally. World music, including the indigenous music of the Motor City, is the major focus of the Concert of Colors, but not the only focus. The festival also offers ethnic food and merchandise vendors and an annual Forum on Community, Culture and Race, which examines the role of arts and culture in overcoming racial and ethnic barriers. The Concert of Colors was established by Ismael Ahmed – then head of the Dearborn, Michigan-based human services organization ACCESS – and New Detroit in 1993 as a one-day event at Chene Park on Detroit’s riverfront. The inaugural event drew a modest crowd to Chene Park, but by 1999, some 10,000 music lovers were coming out each year. The festival expanded to three days in 2001, when it was part of the official festivities for Detroit’s 300th birthday, drawing an audience of 100,000. In recent years, annual attendance at the Concert of Colors has been about 80,000. |
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APR 01, 2015 Wednesday, April 1st at 8:00 PM Performers: Patrick Grant, Dan Cooper, Matt Grossman, John Halo, Jeremy Nesse, Cesare Papetti, Reinaldo Perez, & Daniel Reyes-Llinas TILT CORE is an ensemble drawn from the larger group of NYC performers in TILTED AXES: MUSIC FOR MOBILE ELECTRIC GUITARS as a means to explore and experiment with new material. Its smaller size, 5-9 members, enhances musical and practical possibilities. Outside of the larger processional projects, Tilt Core is a more agile and easily presentable ensemble as well a its members serving as the creative catalysts for future Tilted Axes work. STUDIES IN MOTION & VELOCITY is a performance inside of a theater. This gives the group an opportunity to use the space in a combination of mobile and stationary formations. They will perform new music as well as other pieces from the Tilted repertoire in the form of a narrative. This is the challenge. |
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MAR 29, 2015 6:30 - doors open 8:00 - Parias Ensemble performing works by: Leo Brouwer, Patrick Grant, Dave Soldier, Kevin James, Ravi Kittappa & King Crimson 8:45 - The birth of Jessica Brainstorm with Sarah Small & .... More iNFO on the FB Event Page: |
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MAR 21 & 22 "...Tilted Axes? It's the brainchild of Detroit native and New York experimental composer Patrick Grant, a procession of electric guitars playing compositions in public places. Grant has brought the performance, which he's staged in Germany and New York, to Detroit's Cultural Center, and returned last year for the city's 313th birthday. This year he's back, and his choices are even more interesting, in that he's chosen to participate in larger events that perhaps match the creative spirit of his endeavor. The axes will be rocking in the Detroit area for three days this March, including March 22, at the Marche du la Nain Rouge (this iteration of Tilted Axes will become the decidedly Francophone "Haches Incliné"), adding to the insurrectionary spirit of the event. His schedule also includes the Bestest Concert Ever IV, on March 21, at the Royal Oak Farmers Market…" Read the full article HERE Saturday, March 21 - 4th Annual The Bestest Concert Ever Sunday, March 22 - Marche du Nain Rouge Performers include: Patrick Grant (NYC), Paula Messner, Skeeto Valdez, Howard Glazer, Rick Matle, Jeff Adams, Bob Kaufman, Chris McGorey, Dean Western, Eric Iverson, Gael Grant, James McGlinnen, John Halo (NYC), John Lovaas (Chicago), Jude Closson, Rob Knevels, Sarah Metevier (Chicago), Erik Grant, Sean Biggs, and others TBA |
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FEB 27 & MAR 1, 2015 TILTED AXES: TUANNA CLOANTA FRIDAY, FEBRUARY 27 SUNDAY, MARCH 1 WHERE: Sunnyside/Woodside, Queens POST-PARADE PARTY: @ Saints & Sinners EVENT ORGANIZER: St. Pat's for All "...cherishing all the children of the nation equally..." |
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JAN 28, 2015 Wednesday, January 28th at 8:00 PM Performers: Patrick Grant, Dan Cooper, Matt Grossman, John Halo, Randolph Hudson III, Jeremy Nesse, Cesare Papetti, Reinaldo Perez, & Daniel Reyes-Llinas TILT CORE is an ensemble drawn from the larger group of NYC performers in TILTED AXES: MUSIC FOR MOBILE ELECTRIC GUITARS in 2014 as a means to explore and experiment with new material. Its smaller size, 5-9 members, enhances musical and practical possibilities. Outside of the larger processional projects, Tilt Core is a more agile and easily presentable ensemble as well a its members serving as the creative catalysts for future Tilted Axes work. STUDIES IN MOTION & VELOCITY is a performance inside of a theater. This gives the group an opportunity to use the space in a combination of mobile and stationary formations. They will perform new music as well as other pieces from the Tilted repertoire in the form of a narrative. This is the challenge. ================================================= |
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JAN 06, 2015 Berlin, Germany New music for film BERLIN EAST SIDE GALLERY A feature documentary by Karin Kaper & Dirk Szuszies Original music by Patrick Grant On the occasion of the 25th anniversary of the East Side Gallery in 2015 The entire story of the longest surviving part of the Berlin Wall World Premiere on 6th of January 2015 at Kino Babylon Berlin Mitte Nationwide cinema release on 8th of January 2015 Original version with English subtitles The longest remaining stretch of the Berlin Wall is the world's largest open air gallery, attracting millions of visitors from around the world since opening in 1990. http://www.berlineastsidegalleryfilm.de/ https://www.facebook.com/BerlinEastSideGalleryFilm ================================================= |
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DEC 17, 2014 New York, NY TILTED AXES Music for Mobile Electric Guitars' TILT CORE The Sound of Burning Chairs Tilted Axes: Music for Mobile Electric Guitars' TILT CORE ~ THE SOUND OF BURNING CHAIRS A Preview Performance of New Material Wednesday, December 17th at 10:00 PM Carta Azul Taqueria & Ceviche Bar 103 W 14th Street, New York City FREE ADMISSION Performers: Patrick Grant, Dan Cooper, Matt Grossman, John Halo, Randolph Hudson III, Jeremy Nesse, Cesare Papetti, Reinaldo Perez, & Daniel Reyes-Llinas Tilted Axes: Music for Mobile Electric Guitars was created in 2011 by composer/performer Patrick Grant for Make Music New York's inaugural Make Music Winter solstice event. Since then, Tilted Axes has evolved as a project with multiple incarnations in New York, Detroit, and Düsseldorf, Germany. In 2015 the project will manifest itself in performances created in the USA, Europe, and South America. After performing three years in a row for the December 21st Make Music Winter events, a conscious decision was made to sit this one out in order to prepare for the work ahead in 2015. We will be back! TILT CORE, in its original intention, is an ensemble drawn from the larger group of performers as a means to explore and experiment with new material without the constraint of an immediate public performance. Its roster can, and should, change seasonally. Tilt Core’s smaller size comes from the concept of "the magic number seven plus or minus two" a.k.a. Miller's Law, the number of objects an average human can hold in working memory. This smaller size, 5-9 members, enhances Tilt Core’s musical and practical possibilities. Outside of the larger Tilted Axes projects, Tilt Core will be a more agile and easily presentable ensemble. Why this performance then, if performing was never an intention? It is a preview through which all of the standard criteria of an official performance will apply. In whatever city Tilted Axes performs, we discover a local establishment where we can eat, drink, and hold our post-rehearsal discussions. "Where Tilted Axes Relaxes" is how it’s come to be known. In the case of Tilt Core, it’s been Carta Azul Taqueria & Ceviche Bar, directly across the street from the Alchemical Theater Laboratory where Tilt Core rehearses. The owners of Carta Azul, having gotten to know us well over the past couple of months, generously offered us their place to have an informal performance. In other words: it came to us. This performance will bring to completion this phase of Tilt Core 1.0. The project’s 2.0 incarnation will begin early next year. So here we are, ready to rise to this performance challenge. If you are free, please join us and get a taste of everything Tilted that's in store for the New Year. More iNFO at ~ http://www.peppergreenmedia.com https://www.facebook.com/tiltedaxes https://www.facebook.com/events/601320473327252/ ================================================= |
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27 SEPT 2014 Düsseldorf, Germany Tilted Axes Quartet @ NEW DÜSSELDORF POP Am 27. September findet die dritte Ausgabe der NEW DÜSSELDORF POP im zakk statt. In den kommenden Wochen stellen wir Euch unser Workshop- und Konzertprogramm hier genauer vor. Wir freuen uns, Euch alle am 27. September im zakk zu sehen! More iNFO - Mehr iNFO http://www.new-duesseldorf-pop.de/ ================================================= |
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9-13 SEPT 2014 Düsseldorf, Germany TILTED AXES: DÜSSELDORF Musik für Mobile E. Gitarren More iNFO - Mehr iNFO http://www.peppergreenmedia.com/TADDorf.html ================================================= |
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AUG 24, 2014 EVERYWHERE International STRANGE MUSIC DAY International sTRANGE mUSIC Day Soirée NYC @ SPECTRUM NYC 121 Ludlow Street New York, NY PDF Press Release More iNFO HERE ================================================= |
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JULY 19, 2014 Detroit, MI TILTED AXES Music for Mobile Electric Guitars DETROIT (313) Presented by the Detroit Historical Society for the city's 313th Anniversary The general application period for participants is now closed. If you have any questions, please send an email to: tilted313@peppergreenmedia.com More iNFO HERE ================================================= |
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JUNE 21, 2014
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JUNE 13, 2014 New York City Premiere GRAND PRIX 2 violins, cello, piano, keyboard, & percussion "Grand Prix" for 2 violins (Lynn Bechtold, Mioi Takeda), cello (Jennifer DeVore), piano (Vicky Chow), keyboard (Patrick Grant), & percussion (Roxan Jurkevich). It will be premiered June 13 at the Composers Concordance "Ladies First: Hit It!" concert at the Bohemian National Hall, NYC. More iNFO at: http://ladiesfirstnyc.wix.com/ccr ================================================= |
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MAY 23-25, 2014 One possible answer is a lot of people making a lot of noise with guitars. Sometimes they even perform in public, as in Spain, Italy, Argentina, and in the USA, in places like Boston, New York City, Bellingham, Portland, and Seattle. Another possible answer is a specialized study in the self-organizing properties of complex wholes. How does Intelligence act in and through many individuals, coming together as one? What if a high level of Conscious or Creative Intelligence needed to enter this world, what kind of body or vehicle would it need? The global challenges we face, to be addressed by current and following generations, are beyond the capacity of individuals to meet. Solutions are more likely to be found in groups and networks than in the efforts of individuals acting alone. The quality of solution required, to problems now of global proportion, is creative; that is, at the level of genius. The solitary, individual genius is, by definition, solitary and individual. The question, then, is how may we cultivate and develop group genius? Come share in the magic that is the Orchestra of Crafty Guitarists! Tickets now on sale: Fri May 23, Bellingham WA: |
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MARCH 3, 2014 Dessau, Germany KURT WEILL FEST "Tweetphonie" Ahalt tweets in Space Concert in the Bauhaus Dessau Conductor: Antony Hermus Anhaltische Philharmonic Orchestra Dessau http://www.kurt-weill.de/pages_en/kwf_1_0_0_0.html Here's an experiment of Bauhausian proportions: If you go to the web site below by March 2nd and tweet a melody of your own that's 140 notes or less, composers in Berlin, Paris, and New York (myself included) will turn them into orchestral miniatures that will be played by the Anhaltische Philharmonic Orchestra Dessau in two concerts on Monday, March 3rd, to be streamed live. It's part of the 2014 Kurt Weill Fest whose theme this year is "Revolution: Weill & the Media." http://www.tweetfonie.de/ ================================================= |
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FEB 10-20, 2014 Cuernavaca, México City Guitar Circle of North America directed by Robert Fripp More iNFO HERE ================================================= |
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JAN 28, 2014 New York City EARLIDS 60x60 NY Minute Mix More iNFO HERE ================================================= |
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JAN 11-25, 2014 Tickets are now on sale for the next run of "I am an Opera" by Joseph Keckler (the Village Voice named him Best Downtown Performance Artist, 2013). Written, composed, and performed by Joseph Keckler |
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JAN 5, 2014 New York City More iNFO HERE ================================================= |
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